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ART TAICHUNG 2025 台中藝術博覽會

暮拉多元藝術空間｜Booth 0911

2025年，暮拉多元藝術空間提出「觀察者的身影」作為參與台中藝術博覽會的策展主題，其構想概念源自藝評家 強納森‧柯拉瑞 (Jonathan Crary) 的《觀察者的技術》(Techniques of the Observer) 一書。思考藝術家同時作為一位具有獨特視角的觀察者，不僅透過媒材來轉譯表達思想，也同步標示出觀察者主體位置的多重性，及其所連動的詮釋技術與文化議題。

如何在藝術家所展現的多重身影中找到對話的可能，透過本次邀請的五位藝術家將會發現，創作並非單向的思考繪畫、雕塑、版畫與影像，而是一項綜合性的跨域表現。於此，我們不僅能看到藝術家對形式語言與知識結構的突破與挑戰，同時，也透過複數視角的生產與組織方式，進而開啟一種更為立體的閱讀經驗。

ART TAICHUNG 2025 台中藝術博覽會
暮拉多元藝術空間｜展間房號 0911

藝術家
山本淳平、林慶芳、陳奕伶、土屋祐子、侯連秦

展覽日期
2025.07.03 (四) 15:00 — 19:00 貴賓預展
2025.07.04 (五) 12:00 — 19:00
2025.07.05 (六) 12:00 — 19:00
2025.07.06 (日) 12:00 — 18:00

展覽地點
台中日月千禧酒店
台中市西屯區市政路77號

"Figure of the Observer”

In 2025, the Moolah Multi-Art Space proposed "Figure of the Observer” as the curatorial theme for participating in the Art Taichung. The concept was derived from the book "Techniques of the Observer" by art critic Jonathan Crary. Thinking about the artist as an observer with unique perspectives. They translate and express ideas through media and simultaneously indicate the multiplicity of the observer's subject position and the associated interpretation techniques and cultural issues.

How to find the possibility of dialogue among the multiple figures presented by the artists? Through the five artists invited this time, you will find that creation is not a single-dimensional thinking of painting, sculpture, printmaking and images, but a comprehensive cross-domain expression. Here, we can not only see the artist's breakthroughs and challenges in formal language and knowledge structure, but also open up a more three-dimensional reading experience through the production and organization of multiple perspectives.

𝗔𝗥𝗧 𝗧𝗔𝗜𝗖𝗛𝗨𝗡𝗚 𝟮𝟬𝟮𝟱｜𝗧𝗛𝗘 𝗠𝗢𝗢𝗟𝗔𝗛 𝗠𝗨𝗟𝗧𝗜-𝗔𝗥𝗧 𝗦𝗣𝗔𝗖𝗘｜𝗕𝗼𝗼𝘁𝗵 𝟎𝟗𝟏𝟏｜𝐀𝐫𝐭𝐢𝐬𝐭𝐬 YAMAMOTO Jumpei／LIN, Ching-Fong／CHEN, Yi-Ling／TSUCHIYA Yuko／HOU, Lien-Chin｜𝐕𝐈𝐏 𝐏𝐫𝐞𝐯𝐢𝐞𝐰 2025.07.03 Thu. 3 p.m. — 7 p.m.｜𝐏𝐮𝐛𝐥𝐢𝐜 𝐃𝐚𝐲𝐬 2025.07.04 Fri. — 2025.07.06 Sun. 12 p.m. — 7 p.m.（07.06 Sun. Closes at 6 p.m.）｜𝐕𝐞𝐧𝐮𝐞 MILLENNIUM TAICHUNG｜𝐀𝐝𝐝. No.77, Shizheng Rd., Xitun Dist., Taichung City 40756, Taiwan (R.O.C.)