1993年 出生於臺灣新北
2015年 國立臺灣師範大學 美術系國畫組
2021年 國立臺灣藝術大學 書畫藝術學系 碩士

重要經歷
2019年 臺東美展，優選
2016年 磺溪美展，優選
2014年 桃源美展－膠彩類，第一名

洪永欣，1993年出生於新北市永和，畢業於國立臺灣藝術大學書畫藝術學系研究所，主修膠彩創作。

創作以膠彩、礦物顏料與植物性色彩為主要媒材，長期關注人與動物之間曖昧且複雜的關係，從都市日常的陪伴、馴養與凝視，到歷史敘事中的徵召與利用，畫面帶有溫柔而疏離的氛圍，在可愛與殘酷之間保留張力。其作品曾多次參與藝術博覽會，並獲桃源美展、大墩美展等獎項肯定。作品受德國、日本、丹麥、香港、澳門等地私人收藏。2026年受邀於日本舉辦個展。

創作理念
我的創作是藉由模仿古人繪畫中的動物，使我再次感受到人與自然、動物之間的互動與敬畏 。透過半閉目或呲牙咧嘴的造型，以及大地色系與仿古質感紋理，傳達具戲劇性的手法，呈現動物在自然中的主體性與力量感 。

我喜好運用天然土質顏料與膠彩媒材的層疊、滲透及時間流變，使作品呈現木頭或石頭經歲月風化的痕跡，賦予古文明、壁畫與民藝般的斑駁韻味。在風格上，我融合中世紀手抄本、中東壁畫及中日韓古藝術的寫意手法，使作品在不同觀者眼中生出各自的想像與解讀 。對我而言，創作是與時間、自然共存的過程，作品隨環境與時間微妙變化，成為一個持續生成並啟發想像的場域 。

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b.1993, New Taipei, Taiwan.
2015 B.F.A., Department of Fine Arts, National Taiwan Normal University, Taiwan.
2021 M.F.A., Department of Painting and Calligraphy Arts, National Taiwan University of Arts, Taiwan.

IMPORTANT EXPERIENCE

2019　Taitung Art Exhibition, Merit Award
2016　Huangsi Art Exhibition, Merit Award
2014　Taoyuan Fine Arts Exhibition, First Prize

STATEMENT

HONG Yong-Xin (b.1993) was born in Yonghe, New Taipei City. She holds an MFA from the Department of Painting and Calligraphy Arts at National Taiwan University of the Arts, specializing in Mineral Pigment Painting Painting.

Her practice primarily employs glue color, mineral pigments, and botanical dyes. For a long time, she has focused on the ambiguous and complex relationship between humans and animals—from daily companionship, domestication, and gazing in urban life to their recruitment and utilization in historical narratives. Her works carry a gentle yet alienated atmosphere, maintaining a tension between cuteness and cruelty. Her art has been featured in numerous art fairs and recognized by prestigious awards, including the Taoyuan and Da Dun Fine Arts Exhibitions. Her works are held in private collections across Germany, Japan, Denmark, Hong Kong, and Macau. In 2026, she is invited to hold a solo exhibition in Japan.

CONCEPT

By imitating the animal depictions in ancient paintings, I once again experience the interaction and awe between humans, nature, and animals. Through features such as half-closed eyes or bared teeth, combined with earth tones and archaic textures, I employ dramatic techniques to present the subjectivity and sense of power that animals possess in nature.

I favor the layering and infiltration of natural earth pigments and animal glue. Coupled with the flux of time, these materials allow the works to exhibit traces of weathering—akin to wood or stone—endowing them with the mottled charm of ancient civilizations, murals, and folk art. Stylistically, I integrate the linear decorations of medieval manuscripts and Middle Eastern murals with the 'Xieyi' (freehand) techniques of ancient East Asian art. This fusion allows the works to evoke diverse imaginations and interpretations in every viewer. To me, creation is a process of coexisting with time and nature; the works change subtly with the environment and time, becoming a field of continuous generation and imaginative inspiration.