1987年 出⽣於臺灣宜蘭
2013年 國立臺北藝術大學美術系創作組 碩士 主修版畫
2009年 國立臺北藝術大學美術系 版畫組

重要經歷
2022年 中華民國第二十屆國際版畫雙年展-入選，國立臺灣美術館，臺灣
2020年 桃源美展-版畫類第一名，臺灣
2017年 10 è me Triennale Mondiale de l’ Estampe-第二名，法國

林義隆，1987年出生於台灣宜蘭，2013年畢業於國立臺北藝術大學美術系碩士班創作組，主修版畫。

林義隆的作品關注生活中的細微事物，以日常觀察為靈感，記錄下不經意的巧遇與感性記憶。作品以銅版畫、平面繪畫與立體陶作為創作媒材。

2017年獲「法國版畫三年展」第二名、2018年獲選文化部Art Taipei「Made in Taiwan-新人推薦特區」藝術家。曾獲「2020桃源美展」版畫類第一名、「新北美展」版畫類第一名、「高雄獎」版畫類入選等。

作品典藏於國立台灣美術館、宜蘭美術館等機構，法國、日本、香港等地私人收藏。2020年受邀於法國舉辦版畫個展，2022年於池上穀倉藝術館駐村。

創作理念
我的創作是透過觀察日常周遭所處的空間維度內發生的各種事物。它們來自於人造的，或者是自然的；是流動的，或者是感性的。它們可能難以捕捉或是歸類，我卻深深為它們的存在而著迷。

我將這些記憶中的影像片斷與接收到的感官訊息，壓碎過濾後成為我的創作養分，再藉由時間發酵，生長成作品中各種樣貌的個體及它們所處的空間。而作品中的個體並不是將我們所知的生物體再現，而是來自事物的觀察與想像編織重塑完成的新個體與空間。

這些個體投射記憶中的感性片斷，在屬於它們的曼荼羅內日復一日的活著。作品中的它們對於我來說，本來就存在這個循環世界的某一個角落，只是我們還沒遇見，或者是永遠不會遇見而已。

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b. 1987, Yilan,Taiwan.
2013 M.F.A., Taipei National University of the Arts, Taiwan.           
2009 B.F.A., Taipei National University of the Arts, Taiwan.

STATEMENT
LIN Yi-Lung was born in Yilan,Taiwan in 1987. He received his M.F.A. from the Department of Fine Arts, Taipei National University of the Arts in 2013, with a concentration in printmaking.

LIN Yi-Lung’s work focuses on subtle details encountered in everyday life. Drawing inspiration from daily observation, he records accidental encounters and sensorial memories. His practice employs copperplate printmaking,  painting, and ceramic sculpture as primary media.

In 2017, he received Second Prize at the France Print Triennial, and in 2018 was selected as an artist for "Made in Taiwan"(MIT) Young Artist Themed Exhibition at Art Taipei, organized by the Ministry of Culture. He has also received First Prize in the Printmaking Category at the  "2020 Taoyuan Art Exhibition", First Prize in the Printmaking Category at the "New Taipei City Art Exhibition", and was selected for the "Kaohsiung Award" in the printmaking category.

His works are included in the collections of the National Taiwan Museum of Fine Arts and the Yilan Museum of Art, among other institutions, and are held in private collections in France, Japan, and Hong Kong. In 2020, he was invited to present a solo printmaking exhibition in France, and in 2022 participated in an artist residency at the Chishang Barn Art Museum.

CONCEPT
My works are inspired by the fragment and phenomenon happening in my daily life. They could be artificial, natural, fluid and also sensual elements, which is hard to be defined or classified. However, I am deeply fascinated by the way they exist.

I collect those sensuous pieces and fragments from my memory, and digest the element as the nutrition of my art practice, through the fermentation of time, which became the universe in my works. They are not just the representation of real life, but also the fictions from my perspective toward life. These objects that I created reflect some sensibility phrases from my memory, and they have their own reincarnation system in the mandala where they were.

For me, these scenarios exist in parallel universes where we could have never or just not yet rencounter.