詹士泰，1971年生於台北，2011年畢業於義大利國立卡拉拉美術學院。其創作以石雕為主要媒材，關注形式、身體與時間之間的細細關係。

曾參與多項國際雕刻創作營，並於台灣、義大利、葡萄牙與韓國等地展出。近年重要展覽包括台北、台中與台南之個展與聯展，以及首爾國際雕塑展。現生活與工作於台灣。

創作理念

詹士泰的石雕創作以簡約而內斂的造型語彙，回應現代主義建築所蘊含的結構與秩序。在理性幾何的外觀之下，作品表面仍保留手工雕刻的細緻紋理，使冷靜的形式中隱約流露溫度與時間感。藝術家對石材具有高度敏銳的感知能力，創作過程並非以強勢的介入改造材料，而是順應石頭本身的質地、瑕疵與重量，讓環境、身體與時間自然滲入其中。

他將雕刻視為一種與世界同步的行動，如同行走般，身體的動作與當下的思緒在時間中緩慢推移，午後的光影、周遭的聲響與空氣流動，皆成為創作的隱性條件。

藝術家形容此過程為一種「梳洗」—— 透過層層細緻而克制的動作，使石材逐步顯露其本質，同時承載創作者當下的感受與記憶。看似不完美的石材缺陷，轉化為意外的相遇，開展出更多想像的可能。

重要經歷

2021　所在 - 境與物的前衛藝術 1980 - 2021，國立臺灣美術館，臺中，臺灣
2017　前行意志當代藝術展，人文遠雄博物館，新北，臺灣
2014　Caldas da Rainha 第 15 屆 Simppetra 國際雕刻創作營，葡萄牙

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Chan Shih-Tai (b. 1971, Taipei) graduated from the Accademia di Belle Arti di Carrara, Italy, in 2011. Working primarily with stone, his practice focuses on the subtle relationships between form, body, and time.

He has participated in numerous international sculpture symposiums and exhibited in Taiwan, Italy, Portugal, and Korea. In recent years, his notable exhibitions include solo and group shows in Taipei, Taichung, and Tainan, as well as the Seoul International Sculpture Exhibition. He currently lives and works in Taiwan.

CONCEPT

Chan Shih-Tai’s stone sculptures are characterized by a restrained and minimalist formal language that echoes the structural clarity of modernist architecture. Beneath their rational geometric appearances, the surfaces retain subtle traces of hand carving, allowing warmth, tactility, and the passage of time to emerge within otherwise composed forms. Rather than imposing force upon the material, Chan approaches stone with acute sensitivity, responding intuitively to its weight, texture, and imperfections, and allowing the material itself to guide the creative process.

For the artist, sculpting is an embodied act that unfolds gradually through time, much like walking. Bodily movement, perception, and thought resonate with one another, extending into a duration shaped by environmental conditions—shifting light, surrounding sounds, or the flow of air. These elements are not depicted directly, yet they quietly permeate the work, becoming latent components embedded within the stone.

Chan describes his working method as a form of “grooming” or preparation—an almost non - invasive sequence of subtle, deliberate gestures. Through this process, layers of material are carefully revealed rather than transformed, allowing the inherent qualities of the stone to surface while simultaneously registering traces of the artist’s presence and state of mind. What may initially appear as flaws or irregularities are embraced as unexpected encounters, opening space for imagination and multiple possibilities. Through sculpture, Chan rearticulates the richness of stone as both a physical substance and a vessel of lived experience.

IMPORTANT EXPERIENCE

2021　Places of Being – Space and Materiality in Taiwan’s Avant - Garde Art, 1980 - 2021, National Taiwan Museum of Fine Arts, Taichung, Taiwan.
2017　Keep Going – Contemporary Art Exhibition, Farglory Exhibition Hall, New Taipei City, Taiwan.
2014　The 15th Simppetra International Sculpture Symposium, Caldas da Rainha, Portugal.