盧明德，1950年出生於臺灣高雄。盧明德是臺灣新媒體藝術和跨領域創作概念的主力推手，一直以來以圖像為符號的結構繪畫，在畫壇上獨樹一格並享盛名，他主張「一切是媒體，媒體是一切」，這種理念突破了一般對平面繪畫的定義。1985年他自日本學成歸國，接觸到當代藝術表現的多樣化形式與跨媒材的可能性，發展出其「複合媒體藝術論」之創作理論架構，奠定他在臺灣當代藝術史上的地位。

近幾年盧明德的創作對於生態演化、自然環境保護、雲端社群、多重文化激盪等議題有諸多的關注。他的創作以跨物種、跨時空的實驗，並藉由平面繪畫、錄影裝置、立體雕塑、空間裝置、現成物件、身體表演、劇場形式，甚至結合生態學家、地質學家、科學家等各種協同創作方式，交錯進行跨領域的對話。

重要經歷

國立高雄師範大學藝術學院院長
2021年 大遷徙-盧明德個展，台北市立美術館，臺北，臺灣
2018年 高雄文藝獎，高雄市政府，臺灣

Lu Ming-te was born in Kaohsiung, Taiwan, in 1950. He is a leading force in Taiwan’s new media art and in the conceptual development of interdisciplinary artistic practice. Long known and highly regarded in the art world for his distinctive structural paintings, in which images function as symbols, Lu advocates the idea that “everything is media, and media is everything.” This concept breaks through conventional definitions of two-dimensional painting.

After completing his studies in Japan and returning to Taiwan in 1985, Lu came into contact with the diverse forms of contemporary artistic expression and the possibilities of cross-media practice. He subsequently developed the theoretical framework of his “mixed media art theory,” establishing his position in the history of contemporary art in Taiwan.

In recent years, Lu’s practice has shown sustained concern for issues such as ecological evolution, environmental conservation, cloud-based communities, and the dynamic interplay of multiple cultures. His work engages in experiments across species, time, and space, and carries out interdisciplinary dialogues through two-dimensional painting, video installation, three-dimensional sculpture, spatial installation, readymade objects, bodily performance, theatrical forms, and even various modes of collaborative creation with ecologists, geologists, scientists, and others.

IMPORTANT EXPERIENCE

Chair, Department of Fine Arts, National Kaohsiung Normal University, Taiwan.
2021　Great Migrations: Lu Ming-Te, Taipei Fine Art Museum, Taipei, Taiwan
2018　Kaohsiung Culture & Arts Award, Kaohsiung City Government, Taiwan